Where New Zealand's Strangest Collections Come to Life

Introduction

That variety is the defining feature of New Zealand’s curiosity culture. Some collections are academically researched and carefully conserved; others are personal artworks, immersive historical reconstructions or deliberately playful tourist experiences. The most rewarding visits come from understanding which is which. A specimen at the national museum carries a different kind of authority from a private cabinet of curiosities, while an optical-illusion attraction is not claiming that anything paranormal has occurred. Together, however, these places show how New Zealand preserves the unusual: through science, storytelling, eccentric collecting, local enterprise and imaginative reuse.

Where the genuinely strange collections are

The Dunedin Museum of Natural Mystery

The clearest modern example of a traditional cabinet of curiosities is the Dunedin Museum of Natural Mystery, also known through its website as the Royal Dunedin Museum. It occupies several rooms of a central-city villa and presents skulls, bones, biological specimens, ethnological art and unusual cultural objects gathered over the lifetime of artist and curator Bruce Mahalski. It is a small, privately created museum rather than a large civic institution, and its arrangement reflects the personality of its collector as much as a conventional academic classification system.[royaldunedinmuseum.com]royaldunedinmuseum.com* ### Opening HoursRoyal Dunedin Museum > Home | The Dunedin Museum of Natural Mystery is a small museum and gallery located at 61 Royal Terrace in central…

Visitors should expect an intimate, densely arranged environment closer to an artist’s curiosity cabinet than a polished natural-history gallery. Bone-based artworks and unexpected juxtapositions are central to its character. That makes it unusually memorable, but it also means that visitors should distinguish between biological specimens, cultural artefacts and the curator’s own creative constructions rather than treating every displayed item as equivalent scientific evidence.

Its importance lies partly in this blurred boundary. European cabinets of curiosity historically mixed natural specimens, art, foreign objects and marvels before modern museums separated them into disciplines. The Dunedin collection recreates something of that older atmosphere, but as a contemporary personal project. It is publicly visitable, although its small scale and occasional short-notice closures make checking current opening information sensible.[royaldunedinmuseum.com]royaldunedinmuseum.com* ### Opening HoursRoyal Dunedin Museum > Home | The Dunedin Museum of Natural Mystery is a small museum and gallery located at 61 Royal Terrace in central…

Te Papa’s colossal squid

At the opposite end of the institutional scale, the Museum of New Zealand Te Papa Tongarewa holds one of the country’s most extraordinary scientifically documented specimens: an adult colossal squid caught in the Ross Sea in 2007 and preserved for public display. Te Papa has three colossal squid specimens in its collections, with one presented in a specially designed tank.[Te Papa]tepapa.govt.nzHaving been preserved, this specimen now forms part of Te Papa's extensive holdings of cephalopods (octopus, squid, and their relatives)…

The animal is unusual not because its existence is doubtful, but because intact colossal squid are exceptionally rare. Before the early 2000s, scientists had not examined a complete specimen. Unlike the legendary sea monsters that helped shape popular images of enormous squid, Te Papa’s display gives visitors a real animal with measurable anatomy: a large beak, powerful arms and tentacles, and rotating hooks adapted for gripping prey.[Te Papa]tepapa.govt.nzanatomy colossal squidA colossal squid has three main body parts: the mantle and fin, the head, and a circle of arms and tentacles…

The display also reveals how museum preservation changes what the public sees. Freezing, thawing and chemical preservation altered the specimen’s size and appearance; Te Papa has documented shrinkage of parts of the animal during the process. The tank therefore contains neither a model nor an untouched corpse, but a carefully conserved research specimen whose present form reflects both biology and preservation technology.[Te Papa]tepapa.govt.nzOpen source on govt.nz.

For strange-museum travellers, this is one of New Zealand’s strongest attractions because it joins spectacle to scientific credibility. It feels like a sea monster display, but its interpretation is based on zoological research rather than cryptozoological speculation.

The Tamil bell

Te Papa also holds one of New Zealand’s most debated archaeological curiosities: a broken bronze ship’s bell bearing Tamil script. The museum catalogues it as a Sri Lankan Tamil object dating to about 1450, although precisely how and when it reached New Zealand remains uncertain.[Te Papa Collections]collections.tepapa.govt.nzOpen source on govt.nz.

The bell was reportedly used as a cooking vessel when it came to European attention in the nineteenth century. Its presence has encouraged theories ranging from accidental arrival on a later ship to pre-European contact between New Zealand and voyagers from South or South-East Asia. The object is real, but the more dramatic conclusions sometimes attached to it remain unproven. Its uncertain journey is the mystery; it is not, by itself, evidence that Tamil sailors established direct contact with New Zealand centuries before Europeans.

This distinction makes the bell a valuable example of responsible curiosity culture. Museums can preserve an anomalous object without pretending that its provenance has been solved. It is best understood as an archaeological puzzle whose physical authenticity is much firmer than the stories built around its arrival.

Eccentric private museums and mechanical worlds

Steampunk HQ and Ōamaru’s invented past

Steampunk HQ in Ōamaru occupies an 1883 stone building at the entrance to the town’s Victorian precinct. Inside is a collection of retro-futurist sculpture, light, sound, film and machinery, much of it made through recycling and imaginative modification of industrial materials. It is an art attraction rather than a museum of authentic Victorian technology.[steampunkoamaru]steampunkoamaru.co.nzOpen source on steampunkoamaru.co.nz.

That distinction is essential. Steampunk takes the machinery, clothing and visual language of the nineteenth century and combines them with science fiction. The result is an invented alternative history rather than a reconstruction of how Victorian New Zealand actually looked. Visitors encounter glowing installations, fictional machines and theatrical environments designed to suggest a world in which steam-age invention continued along a fantastical path.

Steampunk HQ matters because it has expanded beyond a single attraction. Ōamaru’s preserved Victorian architecture now provides the setting for an internationally recognised annual steampunk festival involving handmade costumes, imagined identities, teapot racing and parasol duelling. The town has effectively commercialised a creative subculture while also giving it a durable local home.[AP News]apnews.comNow in its 17th year, the festival features quirky contests like parasol dueling, teapot racing, and cookie-dunking challenges. Events in…

This is curiosity culture as participation. The “collection” includes not only objects inside the headquarters but also costumes, performances, community traditions and a shared fictional world. It is playful rather than evidential, yet unusually successful at turning architectural heritage into living eccentricity.

The Lost Gypsy Gallery

In Papatowai, the Lost Gypsy Gallery presents handmade automata and interactive sculptures inside a converted green house bus. Artist Blair Somerville builds the works largely from found objects, inviting visitors to press buttons, turn handles and set mechanical scenes in motion. The gallery advertises more than 85 mechanisms to operate, with further work displayed in the adjoining Winding Thoughts Theatre.[The Lost Gypsy]thelostgypsy.comOpen source on thelostgypsy.com.

This is not a museum in the conventional collecting sense. Its value lies in craftsmanship, humour and mechanical imagination. Scrap materials are transformed into devices that twitch, roll, illuminate or perform tiny absurd actions. The experience resembles an automated curiosity cabinet in which the visitor activates each exhibit.

The Lost Gypsy is representative of a particularly strong New Zealand tradition: small, independently run roadside attractions built around one person’s sustained creative obsession. Such places are vulnerable because they depend heavily on their maker, but they often offer a more distinctive encounter than larger commercial destinations.

Claphams National Clock Museum

Claphams National Clock Museum in Whangārei grew from the collection of Archibald “Archie” Clapham, an engineer and enthusiastic clock collector who opened his home collection to local visitors. It is now housed in a purpose-built museum in the Town Basin.[Claphams National Clock Museum]claphamsclocks.comOpen source on claphamsclocks.com.

The attraction of the collection is accumulation and variety. Mechanical clocks can be serious instruments, decorative status objects, comic novelties or ingenious moving machines. Guided visits interpret both the history of timekeeping and the workings of different mechanisms, so the experience is more than looking at rows of clock faces.[Claphams National Clock Museum]claphamsclocks.comClaphams National Clock Museum Whangarei Museum ToursClaphams National Clock Museum Whangarei Museum Tours

Claphams is unusual without being uncanny. Its thousands of ticking, chiming and animated objects transform an ordinary technology into an enveloping sensory collection. It also demonstrates how a private enthusiasm can become civic heritage when a community chooses to preserve it.

Illusion, reconstruction and commercial curiosity

Puzzling World

Puzzling World in Wānaka began with a maze in 1973 and developed into a commercial complex of optical illusions, puzzles, impossible-looking structures and interactive rooms. Its current attractions include perspective tricks, reversible figures, holographic displays and sculptures that appear to contradict ordinary physical expectations.[Puzzling World]puzzlingworld.co.nzpuzzling world inside nzs optical illusion wonderlandpuzzling world inside nzs optical illusion wonderland

Its strangeness is openly manufactured. Rooms distort scale, balance and visual perspective, showing how easily the brain can misread spatial information. The visitor is not asked to believe in supernatural forces; the pleasure comes from knowing that an illusion has been engineered while still struggling to see through it.

Puzzling World therefore occupies a useful place beside museums of magic, spiritualism and paranormal belief. It demonstrates mechanisms that can contribute to extraordinary experiences: misleading perspective, controlled viewing positions, conflicting sensory information and expectations shaped by the setting. Its former cash challenge for anyone able to demonstrate psychic location powers also connected the attraction to organised scepticism, although that challenge ended in 2022.[Wikipedia]WikipediaPuzzling WorldPuzzling World

Tawhiti Museum

Tawhiti Museum near Hāwera is a private historical museum notable for its extensive use of life-sized figures, miniature models and elaborate dioramas. Created in a former dairy factory by Nigel and Teresa Ogle, it reconstructs episodes from Taranaki’s past through thousands of modelled characters and detailed scenes.[newzealand.com]newzealand.comOpen source on newzealand.com.

Its most theatrical element is Traders & Whalers, an immersive attraction exploring nineteenth-century coastal trade and whaling. Rather than displaying artefacts in cases alone, Tawhiti places visitors inside staged environments. That approach can make complex local history accessible, but reconstruction must not be confused with direct evidence: figures, scenery and dialogue are interpretive devices built around historical research.

Tawhiti is significant because it sits between museum, model-making workshop and theme attraction. It is commercially operated and visitor-led, yet its subject matter includes serious and contested histories involving settlement, trade and relationships between Māori and Europeans. The best reading of the museum recognises both its exceptional craft and the interpretive choices involved in turning conflict and colonisation into immersive scenes.

Crime, punishment and hidden military spaces

The New Zealand Police Museum

The New Zealand Police Museum at the Royal New Zealand Police College in Porirua holds the country’s principal collection of police-related objects, records and ephemera. Its institutional ancestry reaches back to 1908 and was influenced by the idea of Scotland Yard’s “Black Museum”, although the modern visitor experience is educational rather than a sensational display of murder souvenirs.[New Zealand Police]police.govt.nzOpen source on govt.nz.

Exhibitions cover policing methods, criminal cases, uniforms, equipment, mugshots and major events in New Zealand’s social and political history. Some objects are unsettling because of their association with real crimes, but their interpretation is governed by a public institution with responsibilities towards victims, families and historical accuracy.[New Zealand Police]police.govt.nzOpen source on govt.nz.

This makes it more credible than a commercial “crime museum” assembled chiefly for shock value. It also means that visitors should not expect unrestricted access to every notorious object in the collection. Museums dealing with criminal evidence must balance public interest against privacy, dignity and operational sensitivity.

Napier Prison

The former Napier Prison stands on Bluff Hill and dates from 1862. It remained in use for 131 years and is recognised by Heritage New Zealand as the most complete surviving purpose-built prison from the provincial government period.[heritage.org.nz]heritage.org.nzNapier Prison FormerNapier Prison Former

The site has been used for visitor tours and entertainment, including stories of executions, confinement and alleged hauntings. Its substantial historical value does not depend on paranormal claims: the surviving buildings offer direct evidence of changing penal practice, prison conditions and state authority.

However, access arrangements have changed over time, and reports in 2026 indicated that established tours were ending. Anyone planning a visit should therefore verify the current operating status rather than relying on older travel listings or social-media posts.[Facebook]facebook.comOpen source on facebook.com.

Stony Batter

Stony Batter Historic Reserve on Waiheke Island preserves a large Second World War coastal-defence complex of gun emplacements, underground rooms and hundreds of metres of tunnels. Construction began in 1943, and the site became one of New Zealand’s largest fortress projects.[dxcprod.doc.govt.nz]dxcprod.doc.govt.nzOpen source on govt.nz.

The atmosphere can resemble a bunker museum from a much more heavily militarised country: bare concrete passages, plotting rooms and gun pits built for an attack that never came. Yet Stony Batter is also a landscape reserve, and not every part is continuously accessible.

Public information has recently been complicated by changes in tunnel operations. The Department of Conservation announced a new concession in May 2026 intended to support guided access, while some official pages continued to warn that tunnels were closed even though surrounding tracks remained open. The reserve itself is public, but the underground experience should be checked before travel.[Doc.govt.nz]doc.govt.nznew concession granted for stony batter on waihekenew concession granted for stony batter on waiheke

Medical collections that are not ordinary tourist museums

The W. D. Trotter Anatomy Museum at the University of Otago is one of New Zealand’s most important collections of human anatomical specimens and teaching models. Established in 1875, it contains roughly 2,000 catalogued specimens and models, alongside radiographs and other teaching materials. Some wax and porcelain models date from the late nineteenth century, and several are described by the university as unique in Oceania.[otago.ac.nz]otago.ac.nzOpen source on otago.ac.nz.

Its purpose is education and research, not macabre tourism. That affects access, interpretation and ethics. Anatomical museums contain human remains or representations created for medical teaching, sometimes under historical consent standards different from those expected today. Visitors should not assume that a university collection operates like a public attraction with regular drop-in hours.

The museum nevertheless matters to New Zealand’s strange-collections landscape because medical teaching collections are among the closest modern descendants of early scientific cabinets. Wax models, preserved organs and comparative specimens can appear disturbing, but they were assembled to make the hidden structure of the body visible to students. Their value depends on careful stewardship rather than theatrical presentation.

UFOs and the unexplained: archive rather than attraction

New Zealand has no major permanent public UFO museum comparable to specialist institutions overseas. Its strongest collection of unexplained-aerial material is archival. The National Library catalogue includes copies of New Zealand Defence Force UFO files released to the public, covering correspondence and reported sightings over several decades. The declassified material spans reports dating from 1952 to 2009.[National Library of New Zealand]natlib.govt.nzOpen source on govt.nz.

The best-known case is the Kaikōura lights of December 1978, when unusual lights were observed from aircraft, recorded on film and associated with radar observations. The incident became unusually durable because it generated several forms of documentation rather than a single eyewitness account. Official and sceptical explanations have included astronomical objects, lights from fishing vessels, meteors, reflections and terrestrial lights, while some aspects of the observations remained disputed.[New Zealand Geographic]nzgeo.comOpen source on nzgeo.com.

For visitors, this is a research trail rather than a conventional exhibition. Material is distributed among national collections, defence records, historic broadcasts and published investigations. That fragmented form is revealing: New Zealand preserves its UFO history primarily as government paperwork and media history, not as a commercial alien museum.

The files should also be read carefully. “Unidentified” describes a report that was not immediately explained; it does not certify extraterrestrial origin. The archive is culturally valuable because it records how citizens, journalists and officials responded to strange events in the sky, regardless of their eventual explanation.

How to judge New Zealand’s unusual collections

New Zealand’s curiosity attractions vary sharply in authority and purpose. A practical way to understand them is to ask what kind of claim each place is making.

• Scientific and national collections, such as Te Papa’s colossal squid, preserve documented specimens and publish information about research and conservation.
• Academic teaching collections, such as the Otago anatomy museum, exist primarily for education and may have limited public access.
• Institutional history museums, including the Police Museum, interpret sensitive evidence under formal collection policies.
• Private curiosity cabinets, such as the Dunedin Museum of Natural Mystery, reflect an individual collector’s interests and artistic arrangement.

The most interesting sites often cross these boundaries. Steampunk HQ uses genuine historic architecture to contain a fictional world. Tawhiti combines detailed research with theatrical reconstruction. The Tamil bell is an authentic object surrounded by unresolved provenance. The colossal squid resembles a legendary monster but is one of the country’s most scientifically valuable natural-history specimens.

Why New Zealand’s curiosity culture is distinctive

New Zealand’s unusual collections are shaped by distance, small communities and strong traditions of local improvisation. Many began with a collector, artist or enthusiast rather than a national collecting programme. Old buses, factories, villas, grain buildings, prisons and defensive tunnels have been repurposed as places where strange objects and stories can survive.

There is also a striking balance between scepticism and wonder. Optical illusions are explained without becoming less enjoyable. UFO reports are preserved without being declared alien encounters. A mysterious bell can remain unresolved. A preserved squid can evoke folklore while being interpreted through anatomy and conservation science.

That balance is the central pleasure of exploring New Zealand’s stranger museums. The country does not offer one definitive temple of monsters, witchcraft or the occult. It offers something more dispersed and, in many ways, more revealing: a network of institutions and personal projects showing how unusual things move from private obsession or unexplained report into collection, archive, artwork, evidence and tourist experience.

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62. Source: collections.tepapa.govt.nz
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63. Source: paperspast.natlib.govt.nz
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67. Source: natlib.govt.nz
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68. Source: natlib.govt.nz
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69. Source: police.govt.nz
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75. Source: police.govt.nz
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76. Source: Wikipedia
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77. Source: doc.govt.nz
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78. Source: dxcprod.doc.govt.nz
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79. Source: doc.govt.nz
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80. Source: doc.govt.nz
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81. Source: doc.govt.nz
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82. Source: newzealand.com
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83. Source: newzealand.com
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84. Source: newzealand.com
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85. Source: otago.ac.nz
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86. Source: otago.ac.nz
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87. Source: otago.ac.nz
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88. Source: otago.ac.nz
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89. Source: otago.ac.nz
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90. Source: www3.stats.govt.nz
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91. Source: www3.stats.govt.nz
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92. Source: www3.stats.govt.nz
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93. Source: www3.stats.govt.nz
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94. Source: archive.org
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109. Source: collections.tepapa.govt.nz
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110. Source: youtube.com
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111. Source: youtube.com
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112. Source: youtube.com
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113. Source: steampunkoamaru.co.nz
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114. Source: steampunkoamaru.co.nz
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115. Source: apnews.com
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116. Source: apnews.com
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117. Source: thelostgypsy.com
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118. Source: claphamsclocks.com
Link:https://claphamsclocks.com/about-claphams-clock-museum/

119. Source: claphamsclocks.com
Title: Claphams National Clock Museum School Group Tours
Link:https://claphamsclocks.com/school-groups/

120. Source: claphamsclocks.com
Title: Claphams National Clock Museum Whangarei Museum Tours
Link:https://claphamsclocks.com/clock-museum-whangarei-tours/

121. Source: puzzlingworld.co.nz
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122. Source: puzzlingworld.co.nz
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123. Source: nzgeo.com
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124. Source: claphamsclocks.com
Title: did they worry about the speed limit in the 1900s
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125. Source: claphamsclocks.com
Title: An Expert from London Visits Claphams Clocks
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126. Source: tawhitimuseum.co.nz
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127. Source: maoridictionary.co.nz
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128. Source: maoridictionary.co.nz
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129. Source: blogs.otago.ac.nz
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130. Source: southtaranaki.com
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131. Source: youngadventuress.com
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132. Source: claphamsclocks.com
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133. Source: claphamsclocks.com
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134. Source: claphamsclocks.com
Title: Intricately Carved Modern Cuckoo
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135. Source: claphamsclocks.com
Title: Novelty BBQue Clock
Link:https://claphamsclocks.com/product/novelty-bb-que/

136. Source: claphamsclocks.com
Title: Novelty Blue Campervan Clock
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137. Source: claphamsclocks.com
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138. Source: claphamsclocks.com
Title: Become a Friend of Claphams National Clock Museum
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139. Source: tripadvisor.co.uk
Title: PUZZLIN G WORLD
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140. Source: aa.co.nz
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141. Source: dfac.org
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142. Source: steampunkoamaru.co.nz
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143. Source: otagomuseum.nz
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144. Source: ovniarchive.com
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145. Source: tripadvisor.ca
Title: The Dunedin Museum of Natural Mystery
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146. Source: thelostgypsy.com
Link:https://thelostgypsy.com/about/

147. Source: thelostgypsy.com
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148. Source: kids.kiddle.co
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149. Source: wanaka.co.nz
Link:https://www.wanaka.co.nz/explore/puzzling-world/

150. Source: airforcemuseum.co.nz
Link:https://airforcemuseum.co.nz/venue-hire/small-venue-hire/theatre/

151. Source: tripadvisor.com
Title: The Lost Gypsy Gallery
Link:https://www.tripadvisor.com/Attraction_Review-g1773668-d1966818-Reviews-The_Lost_Gypsy_Gallery-Papatowai_Otago_Region_South_Island.html

152. Source: booknewzealand.co.nz
Title: Puzzling World
Link:https://www.booknewzealand.co.nz/puzzling-world

153. Source: southlandnz.com
Link:https://southlandnz.com/listing/the-lost-gypsy-gallery-%26-coffee/1023/

154. Source: seethesouthisland.com
Title: Puzzling World, Wānaka
Link:https://seethesouthisland.com/puzzling-world-wanaka/

155. Source: saltertonartsreview.com
Title: the lost gypsy gallery papatowai
Link:https://saltertonartsreview.com/2023/01/the-lost-gypsy-gallery-papatowai/

Additional References

156. Source: dunedinnz.com
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157. Source: youtube.com
Title: Tour at World Famous Steampunk HQ | Oamaru, New Zealand
Link:https://www.youtube.com/watch?v=MO9MlP-kSOE

158. Source: youtube.com
Title: Mysterious world of the colossal squid
Link:https://www.youtube.com/watch?v=T8GVdMJ0eds

159. Source: atlasobscura.com
Link:https://www.atlasobscura.com/things-to-do/new-zealand/museums

160. Source: aotawhiti.school.nz
Link:https://aotawhiti.school.nz/

161. Source: tripadvisor.co.nz
Link:https://www.tripadvisor.co.nz/Attraction_Review-g255119-d13930118-Reviews-The_Dunedin_Museum_of_Natural_Mystery-Dunedin_Otago_Region_South_Island.html

162. Source: tripadvisor.co.uk
Link:https://www.tripadvisor.co.uk/AttractionProductReview-g255109-d11463720-or40-Napier_Prison_Audio_Tours-Napier_Hawke_s_Bay_Region_North_Island.html

163. Source: canterburymuseum.com
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164. Source: instagram.com
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165. Source: hastingstop10.co.nz
Link:https://hastingstop10.co.nz/location/venue/napier-prison-tours